viernes, 13 de enero de 2017

The Society Machine



The Industrial Age from the Perspective of Art
24 September 2016–15 January 2017
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Ylva Westerlund, "Dusk", 2014, wash
Opening
Saturday September 24, 6 pm–midnight (as part of Malmö Gallery Night) Curator Lisa Rosendahl and Museum Director Cecilia Widenheim present the exhibition at 6pm
The Society Machine examines the image of contemporary Sweden, beginning with industrialization, the cultural transformation which served as the foundation for the world-famous Swedish welfare state. Works by approximately thirty artists are exhibited in dialogue with objects from Malmö Museer's historic collections. Together, they portray a society fundamentally changed, today in the midst of its next large-scale transformation.
The term industry is used in the exhibition as a prism through which different images of society become visible. From Malmberget in the north to the limestone quarries in the south, we are confronted with clear-cut forests, slag heaps and prefabricated housing units. Industrialization cleared the way for mine shafts and factories, but also for more existential sink holes. Furthermore, the exhibition sheds light on how art has been inspired by the aesthetic possibilities and materials of the industrial age, which time and again have challenged the limits of art.
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Gustav Hillbom/Erik Viklund, "Ovärdet", 2014, still from video
The modern Swedish welfare state was made possible through a trade-off: industrialization lifted the country out of poverty, while the environment, human bodies and consciousness in return were colonized by the pursuit of productivity and efficiency – for better or worse. For decades Sweden was hailed internationally as modernity’s success story. But what kind of society was really created?
Today we are entering the fourth industrial revolution, a time when the digital, biological and physical worlds are fusing in a way that once again will transform humanity.  The Society Machine raises the question if the era of the conveyor belt is truly past, or if the logic of industry has simply been displaced from the factories to instead exist within us.
Curator: Lisa Rosendahl
Participating artists
Meira Ahmemulic, Henrik Andersson, Kalle Brolin, Nina Canell, Hans Carlsson, Edward Clydesdale Thomson, Jonas Dahlberg, Kajsa Dahlberg, Leif Elggren, Cecilia Grönberg & Jonas (J) Magnusson, Erik Mikael Gudrunsson, Gustav Hillbom & Erik Viklund, Saskia Holmkvist & Ellen Nyman & Corina Oprea, Erik Holmstedt, Sofia Hultén, Alfredo Jaar, Sara Jordenö, Susanne Kriemann, David Larsson, Anna Ling, Björn Lövin, Caroline Mårtensson, Jesper Nordahl, Karin Ohlin, Pratchaya Phinthong, Katarina Pirak Sikku, Jan Svenungsson, The non existent Center, Pär Thörn, Ylva Westerlund

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